Pens: Pitt artists pens, in black (size S), and two shades of gray (size B)
Paper: Stathmore Bristol
My condo building was having repairs done and was wrapped in plastic and surrounded by scaffolding for months. About a month ago the scaffolding came down and I cannot tell you how thrilled I am to have my balcony - and my view - back. I've been taking photos of the evening sky. My view is to the west, I can see the Olympic Mountains on the other side of Puget sound. I don't think I could ever get tired of this view.
I may not have been blogging much as of late, but I have been painting! These are some of the watercolors I have been working on this summer. As usual I have been using Daniel Smith watercolors, Pitt artist pens, white gel pens, and Prismacolor pencils on Arches paper. (I usually use cold press, sometimes 300 lb and sometimes 140 lbs. )
Sometimes I feel like I put the best of myself into my paintings, and then I am left with not a lot of consequence to say. Hence, not a lot of blogging, but I am going to try - once again - to do better.
What are your favorite jobs for inspiration?
Hello! I have a bit of news for you!
Last week I hung art at:
Company Bar
9608 16th Ave SW
Seattle WA 98106
Hours: Mon--Thu 4pm--12am
Fri-Sat - 4pm to 2am
Sun - 4pm to 12am
The art will be up for a month!
Also, coming up in September, I will he showing my art at:
Oddmall Seattle: The Emporium of the Weird
Lynnwood Convention Center
3711 196th Street S.W.
Lynnwood, Washington 98036
Sunday, September 22, 2013, 10am--6pm
This painting is:
Title: Pheasant
Dimensions: 8 x 8" (will fit standard frame)
Media: watercolor and ink on arches watercolor paper
Year: 2012
Available on Etsy.
I have been playing with filters & light. it reminds me of graphite. I have been doing mostly pen & ink but i like the misty reality of pencil. My favorites are 6h and 8h. It's a bit bothersome that it smears. unless you spray it with toxic things. Which I do outside.
I have an outside again - my balcony. My building had been wrapped in scaffolding and some sort of translucent plastic for months. It is so nice to see the sky and the mountains. it is nice to get the full effect of the breeze and all the smells it brings in - spring, flowers, grass, & the salty smell off puget sound.
that smell reminds me of this, and of my island, that sort of damp, misty, salty space where you can't really tell if the things you are afraid of are out there - you can kind of pretend they are not - and it seems equally likely that the things you dreamed about might be a step away too. but i guess i am still dreaming and still looking, and not there yet.
p.s. this is a skull i found on the beach w/ part of a drawing i did of said skull, and manipulated with a couple different APPS.
This is another recent painting. I was pleased with how it came out. It's watercolor and white ink. I was happy with the balance of detail and just...space. I tend to want to go overboard with detail. It's a bit compulsive, but space has a lot of value as well.
I was just digging around in some things and found something I wrote for a zine in 2003 which I thought I would share. I am resisting a REALLY strong urge to edit, I am apparently a better writer now than I was 10 years ago...
Why I am an Artist
by Megan Noel
9.12.03
I was writing a letter yesterday, and I was thinking about why I am an artist and what that means to me. I think of myself as an artist first, then as a human, and finally as a woman. Why is that so important and what does it signify?
I create because it might be the one thing I do that really means something, and that reminds me of what really matters. It takes me outside of the state of the union, traffic, the rising cost of healthcare, and the long lines at the post office. It reminds me what is really important -- maybe not the art itself. Probably my paintings will never be best in show or end up at the Guggenheim . My dolls may never be more than oddities, and I'm not likely to write the Great American Novel. What matters is where they come from inside of me, the space I go to in search of these things, and the place they are reaching towards inside other people.
What matters is that I sit for a while every day and quiet the world all around me, voices mumbling about the deficit, the email I forgot to answer, the mildew on the shower curtain, and weapons of mass destruction. Every day I slow down enough to listen to the things curled up inside me just waiting for me to give them words, pictures, and sounds to be born into. When people see or hear or touch these creations, whether or not they think of them as works of fine art, I hope for one moment they stop, connect, feel something inside themselves. I hope they will leave behind their thoughts of getting to the dry cleaner before it closes, that meeting they have tomorrow, and what they should have for dinner. I hope they might even feel inspired to slow down a bit and create something out of the calm still voices, or the fierce ones, or whatever neglected voices they have, inside of themselves.
So I guess I am not really a visual artist, a poet, an author, a musician, to end up with art, or poems or stories, or songs. It's not about the end result, other than perhaps a state of mind, or the sense of having finished another leg on a long journey. I am an artist, poet, an author, a musician to be in the state of mind where I can give voice to the things I've carried, the things I've saved, the things I've found, the things I have seen. I create art to give form to, to honor, the things I have carried, saved, found, and seen. I am carried, saved, found, and I see by and through the things I create.